"Under the right circumstances, a producer could make more money with a flop than he could with a hit"
Two Broadway producers, old lady lover Max Bialystock and cowardly accountant Leo Bloom, set out to make the biggest flop the stage has ever seen, in order to net themselves a fortune, in
this remake of
Mel Brooks'
1968 masterpiece of the same name.
Unlike the original, this film is a musical, spun off from the Broadway show, but it's still as good as the 1968 film, albeit in a different (slightly camper) way, and both films centrepieces remain "Springtime for Hitler", a fantastically satirical musical take on the
Third Reich - but one which almost certainly had more bite in the 1960's and now seems a little dated.
Matthew Broderick as Leo Bloom, a role played to perfection by
Gene Wilder in the original film, is a disappointment and he should've been recast as throughout the film, Broderick looks like he is somewhere else, turning in a vacant performance that detracted from the excellence of
Nathan Lane,
Uma Thurman (hot as hell in the role of Ulla) and Will Ferrell.
Go out, see it, but also book tickets for the West End/Broadway version (
short review), because nothing beats live performing.
Other Reviews:
Ain't It Cool NewsBBCPS. And unfortunately, in this version, there is no "Little Old Lady Land", a major disappointment.